ursamajor: people on the beach watching the ocean (Default)
I think I am pretty much doomed to never catch up.

a few days in Boston )

And then I get back Sunday afternoon and [personal profile] hyounpark greets me with "I said yes to performing at the Opera House this week, but I don't know if you've been checking your email, but I think they're assuming you're performing too because that's what happens when a married couple joins a choir?" Me: "A who in the what are we doing now?"

I'd thought our season was over. But our choral director got a last-minute call for us to close out a symposium on gun violence prevention and the role the arts can play in community healing, being done in conjunction with one of the operas San Francisco Opera is doing this season (Innocence) about the aftermath of a school shooting. So I went to Boston to recover from tech week and then came back into a surprise tech week, heh. Still very glad I did it, though. Afterwards, us singing in the stairwell of the Opera House, even more ethereal and better acoustics.

In the middle of that tech week, though, we had tickets for Sarah McLachlan at the Greek, and damn, I hope I still have those kind of pipes when I'm her age. I'd been expecting she was just going to do the songs off Fumbling Towards Ecstasy, but she began with a full set before that.

Feist opened: )

Sarah McLachlan setlist )

Somehow, this has become the month of shows - on top of our long-extant plans for SML, we saw The Lehman Trilogy last Saturday with CJ and Elana; for our part in singing in the symposium, we have tickets to go see Innocence next week; I have tickets for Iron and Wine at the Fox at the end of the month. And then my freshman year roommate messaged me a few days ago and was like, "Do you like Vampire Weekend? I've got an extra ticket for their show at the Greek." So definitely keeping busy!
ursamajor: Tajel on geeks (geeks: love them)
Where did April go? Oh, right, concert, Indie Bookstore Day, the cough I cannot seem to shake. The cough that made me decide I am physically not going to be up for auditioning for SF Symphony this year, alas; that I'm unsure I will have the vocal control I want even for this Friday's (May 17) Oakland Symphony concert. We're doing Copland's Canticle of Freedom! I know my part! It's my diaphragm support that has basically forgotten how to function, I can't hold long notes for shit right now, nor can I hit much below a G4 without audibly wobbling. Yikes. Four years of masking means I managed to make it *51 months* without contracting an illness or having anything worse than seasonal allergies, which is like 10x longer than I've ever managed to do in my life before. It was an amazing run. Crossing my fingers to start another streak like it, as soon as my throat heals.

In other belated music news, the concert with Pacific Edge Voices last month went off splendidly for the most part. A much more theatrical production than I've been in in awhile - complex lighting design and actual staging instead of the more minimalist walk-on-walk-off of symphony choir performances. After a year of singing with an orchestral choir, I loved getting the chance to sing a cappella in concert again. (No, dear self, you don't have enough spare time to be in two choruses!)

And there was enough complex choreography in this concert for the main Pacific Edge Voices performers that I wonder if their audition includes tests of movement and coordination and inquiries into dance training background. Thankfully, I managed to hit all of our marks for our simpler choreo part on Shosholoza. Hymn of Acxiom, we sang in the round, encircling the entire audience, otherworldly.

Oh, how I love singing in the round, in mixed formation, just vocals.

Also in the news: Oakland Symphony has hired Kedrick Armstrong to be our new music director! Armstrong was the guest conductor when we did the Simon's Paul Robeson piece back in February, Michael Morgan's last commission; fitting that Armstrong will take up the reins now.

Just as Esa-Pekka Salonen announced his departure from SF Symphony. Which was part of why I wanted to audition for SFS this year, for the chance to sing under his direction. Next year, who knows? Given Salonen's cited reasons for not renewing his contract, who could SFS hope to attract in his wake?

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ursamajor: people on the beach watching the ocean (Default)
she of the remarkable biochemical capabilities!

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