ursamajor: people on the beach watching the ocean (Default)
I've been busy the last little while! November update first.

New York: meandering through Manhattan on a perfect fall day, foliage, serendipitous Brompton test ride, C Pam Zhang reading, finally went up the Empire State Building after 27 years?! )

Boston: bagel delivery service, proper trains, finally getting to ride the Community Path Extension, never enough time with friends )

Stravinsky tech week )

Monterey: Hyoun runs, I find all the good food and the last remaining bookstore in Carmel, you all are shocked )

And amid all this sleep-deprived timezone confused chaos, I may have gotten into overenthusiastic bikesplaining mode with a friend of a friend on Facebook re bike infrastructure, and only realized after the fact that said person was somebody I'd gone out on a couple of dates with back in the day (🔒). ROFLMAO. Hyoun cracked up listening to me come to this realization in realtime. Me: "What, you'd been reading my LJ for three years by the time we got together and you knew me for years before that, you knew what you were getting into!" H, smiling fondly: "Sure did." Some things have changed, but clearly some things remain the same. :D

I *thought* this was going to cover November, but we're already past the 1500 word mark and I'm only up to November 13; Thanksgiving next time, I guess!
ursamajor: people on the beach watching the ocean (Default)
Happy 10/13, fellow Philes, even though it'll technically be past midnight on the West Coast by the time I finish writing this post.

*

October has been busybusybusy so far, particularly musically.

Part of this is because [personal profile] hyounpark and I have ended up becoming section leaders for our choir - I've got the sopranos, and he's in charge of the basses. Most of what we're responsible for is leading sectional rehearsals as necessary, and we get access to our conductor's rehearsal plan beforehand, so we can enter important markings into our scores and be go-to contacts for the musicians in our section when they have questions. Another married couple are the section leaders for the altos and tenors, so we keep joking we should go on a double date or something.

It's had the side effect of making me feel like I need to be more responsible about preparing for rehearsal beforehand, though, where I have sometimes in the past been a bit more, um, casual, and then done more panicked cramming as we got closer to performance dates, heh. (I blame All-State Choir for instilling these bad habits in me; four years of that experience taught me I really can learn tons of complex music in a very short period of time, and I refuse to acknowledge that it's a bit more challenging now that I'm decades older. ;) ) Hyoun is rather more disciplined than I am about it, so I'll walk into the living room and he's actually listening to recordings of whatever music we're supposed to be working on for the week, while reviewing the score. And then I feel compelled to join him, heh. Left to my own devices, honestly, I would just put the recordings on repeat for the afternoon before rehearsal, and look at the score while listening over dinner. Ahh, the weight of responsibility and guilt motivating me!

Stravinsky continues to challenge me. I feel like I have the first two movements of the Symphony of Psalms down pretty decently now, and we still have four weeks until that concert in early November. But the third movement, I cannot get the timing on some of the faster entrances down, and it's annoying me.

Ah, well, we have time for that. What's a bit more nerve-wracking is that our first major appearance for the season is actually next Saturday, and we *still* don't have the sheet music for one of the two pieces we're doing. All-State Choir cramming vibes, indeed! At least the first piece we're doing is an abridged version of Beethoven's 9th, which most of us have already performed elsewhere, and many of us can sing it from memory; consequently, my brain has been shrieking "Seid umschlungen Millionen! Diesen Kuß der ganzen Welt!" at the top of my range at me for much of the last 10 days. The second piece will be Robeson's Ballad for Americans, which most of us haven't done before; I sure hope it's as easy as our conductor is saying.

*

I thought I'd be awake enough to write about the Death Cab for Cutie + The Postal Service concert I went to earlier this week, or the Chuseok festival we went to the weekend before last, but I need to be in the city early tomorrow morning/later today, so they'll have to wait. The bands put on an excellent show, though, and I'm looking forward to going to more concerts at the Greek Theatre in the future - amphitheatre! stadium height seating so that shorties like me can see!

*

I wish I had anything helpful and informed to say about world events this week, and/or the power to do something that moves the needle towards justice and peace. I don't, but if I did, then I could/should/would be using that knowledge to freaking fix things, right? (And it feels disingenuous of me to not acknowledge it because it's so horribly affecting so many people, but then that also feels like I'm centering the wrong aspects.)
ursamajor: strumming to find a melody for two (one chord into another)
Oakland Symphony Chorus has started up again! I don't know why it feels early; when I sang with Chorus Pro Musica in Boston, we did Summersings every Monday of August to attract new potential members. We've done two weeks of open rehearsals so far this season, and we're hoping the singing we're doing at the Lake Merritt Pergola this weekend with the SoulBeatz drummers will get peoples' attention.

Maybe it's because this has been the first truly warm week of summer here. I've been appreciating whatever the hell buffer we somehow managed to have here all summer keeping temps 70F and below while it seemed like everyone else in the northern hemisphere was reporting record high temperatures or wildfire smoke or both. This week, our luck seems to have run out - it's been in the 80s, it got up to almost 90F today, and now we've got AQI issues with wildfire smoke drifting down from Oregon. Hooray. So our masking for choir tonight had a dual purpose: continuing to try to dodge COVID in an increasing wave, *and* trying to minimize the amount of smoke we inhaled. Unfortunately, masking for choir is currently optional, unlike last season, so I was disappointed to see that maybe 20% of us were masking. Le sigh. The windows were all open; I guess they decided trying to keep the rehearsal hall a sane temperature and allow for at least some airflow was more important than smoke concerns, but no real winning scenario here for anybody's lungs, the ultimate irony for a singing group.

Still, it's fulfilling to be singing with others again, and after four years out here, three and a half of them under pandemic constraints, we're willing to take a few calculated risks to build stronger ties with our community.

There's quite a bit of Beethoven in this year's concert lineup. In November, we'll open our Truth to Power concert with the overture from Beethoven's Fidelio, along with selections from Margaret Bonds' Montgomery Variations, and Stravinsky's Symphony of Psalms. We'll skip Beethoven for our Tina Turner tribute concert in December; likewise, our February concert "The Artist as Activist" will be a commission by Carlos Simon - Here I Stand: Paul Robeson. Our final concert in May will bring back Beethoven's 5th, as well as some of Aaron Copland's Old American Songs. Given how much I loved singing Copland's In the Beginning back in the day, I'm looking forward to more Copland! And we actually open our season in October, singing a to-be-revealed song for Angela Y. Davis' "Playlist," where the guest of honor chooses music to be performed that inspired her own works.

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ursamajor: people on the beach watching the ocean (Default)
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